Andrea Ehrenreich

ehrenreichSoprano Andrea Ehrenreich has appeared in recital throughout the United States, as well as in Germany, Austria, France, Ireland, Poland and the Far East.  She has been welcomed as a guest soloist with Cleveland Orchestra, Sinfonieorchester Leonberg, Miami Symphony, St. Cecilia Orchestra of Dublin, Boston Chamber Orchestra, Stuttgarter Bach Collegium, Back Bay Chorale of Boston,  MIT Symphony Orchestra, New World Symphony, and with Buffalo Philharmonic Chamber Orchestra and Summer Pops Orchestra.

As an advocate of American music, Ms. Ehrenreich has toured the South Pacific and the Far East under the auspices of the United States Information Agency’s Artistic Ambassador Program.  The recital tour included highlights from American opera, art song, and musical theatre at concerts in   New Zealand, Indonesia, and India to enthusiastic critical acclaim.

Andrea’s extensive oratorio  and concert credits include performances of Orff’s Carmina Burana; Handel’sMessiah; Haydn’s Creation;  Brahms’ Requiem;  the Mozart Requiem,; Haydn’s Theresienmesse; Goodman’sKaddish at Marsh Chapel, Boston University; and Haydn’s The Seasons,  the Bach Magnificat, and VivaldiGloria — all with Assabet Valley Mastersingers.  Recently she performed Samuel Barber’s Knoxville: Summer of 1915, Op. 24 and Beethoven’s Mass in C with the Tufts University Symphony Orchestra.  She has also been featured on live radio broadcasts of National Public Radio, Art of the States, RTHK-Hong Kong, and the internationally syndicated ‘Voice of America’.

As a promoter of new music, Ms. Ehrenreich has premiered works by many prominent contemporary composers, including several works composed expressly for her.  She has also enjoyed success in the operatic field, most recently in performances as “Marie” in The Bartered Bride by Smetana, “First Lady” in Mozart’s The Magic Flute, “Norina” in Donizetti’s Don Pasquale, and “Susanna” in Mozart’s The Marriage of Figaro.