Gregory Zavracky

Praised for his fine musicality, “glowing intensity,” and “clarion tone,” tenor Gregory Zavracky’s recent engagements include Handel’s Messiah with the Rhode Island Philharmonic, Matt Aucoin’s Crossing with the American Repertory Theater, Offenbach’s La Belle Hélène with Odyssey Opera, Count Almaviva in The Barber of Seville with Townsend Opera, Britten’s Les Illuminations with the Aurea Ensemble, Tamino in Boston Lyric Opera’s family production of The Magic Flute, Purcell’s Tempest with the Henry Purcell Society of Boston, Bach’s Magnificat with Back Bay Chorale, Gherardo in Gianni Schicchi and Buoso’s Ghost with Opera Saratoga, Ernesto in Don Pasquale with Opera in the Heights, Ferrando in Così Fan Tutte with Cape Cod Opera, Prince Dauntless in Once Upon a Mattress with Chautauqua Opera, and opera and pops concerts with both the Chautauqua and Utah Symphony. He has sung in the world premieres of the Five Borough Songbook with Five Boroughs Music Festival, David Wolfson’s Faith Operas with Hartford Opera Theater, Ketty Nez’s The Fiddler and The Old Woman of Rumelia, James Yannatos’ Rocket’s Red Blare, Anthony DeRitis’ Three American Songs, Steven Sametz’ A Child’s Requiem, and Dan Shore’s Works of Mercy.

Gregory teaches voice at the University of Connecticut, Brown University and the Boston University Tanglewood Institute. He holds a DMA in voice performance from Boston University, Masters degrees from New England Conservatory, and a BA from Emory University.